The anticipated latest from the 2012 Cannes Critics’ Week winner (“Aquí y Allá) and 2018 Independent Spirits laureate (“Life and Nothing More”), billed as a road movie with surreal black-comedy touches. Sales: Bendita “Something is About to Happen,” (Antonio Méndez Esparza) Rated by its fans as one of Berlin’s most extraordinary film experiences.
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Sales: Elle Driver “Samsara,” (Lois Patiño)įrom Patiño (“Red Moon Tide”), the multi-sensorial story of a soul’s journey to reincarnation. Playing out of competition at Cannes, a friendship-themed first animated feature from the director of “Blancanieves” and producer of “The Beasts,” Arcadia Motion Pictures.
Sales: Filmax “Robot Dreams,” (Pablo Berger) Released by Universal to the third biggest bow of the year for a Spanish title in Spain, a family comedy with social undertow from notable comedy director García León (“The Europeans”) helms. Sales: Begin Again “One Hell of a Holiday,” (Victor García Leon) The first feature from L.A., Madrid and Mexico City-based Riesgo Almonacid (“Tiro Dominical”). Sales: Film Constellation “Marco Polo,” (Pablo Riesgo Almonacid)Ī young man struggles with his grief at the death of his brother. Starring Mat Dillon and Aida Folch (“The Artist and the Model”), a noirish thriller set on a remote Greek island in which a Spanish waitress for an obsessive hotel manager (Dillon) with a dark past. Sales: Bendita Film Sales “Haunted Heart,” (Fernando Trueba) The buzzy upcoming directorial debut of “The August Virgin” star, about young actresses who gather at a summer house to rehearse a play.”Elegantly philosophical, the film touches life, death, motherhood, and fairy tale, Variety wrote. Sales: Sideral “The Girls Are All Right,” (Itsaso Arana) Produced by Aquí y Allí Films and Sideral, a star-spangled cast for the surreal fantasy feature debut from one of the most intriguing duos on the current Spanish film-TV scene. Sales: Latido “The Fantastic Golem Affairs,” (Juan González, Fernando Martínez – “Burnin’ Percebes”) “The Enchanted,” (Elena Trapé)įrom Trapé (“The Distances”), a best screenplay winner at March’s Malaga, with 2023 Goya actress winner Laia Costa (“Lullaby ”) as a young mother confronting a new reality after divorce, including a first separation from her young daughter. The story of a disappearance and a film revolving around identity and memory, its producers say. The return of Erice (“The Spirit of the Beehive”) to feature filmmaking 30 years after “Dream of Light,” voted by the world’s cinematheques as the 1990s’ best film. Sales: Latido “Cheaper Than Stealing,” (Pedro Collantes)Ī postmodern black comedy from Collantes turning on an Uber driver entering an ad agency world where, says Collantes, “political correctness becomes a commodified currency.” Presented by Paola Botrán at Producers Network.
remake with Woody Harrelson, the follow-up reprising the same characters five years later. 1 million in Spain and became an international formats hit, yielding a U.S. Sales: Filmax “ChampioNext,” (Javier Fesser)Īfter 2018’s “Champions,” which grossed $23. “Co-Husbands,” (Lucía Alemany)īack by Telecinco Cinema (“The Impossible”), and Alemany’s follow-up to “The Innocence,” a comedy hit in which two middle-class machos discover they share the same wife. “Born from a desire to imagine the unimaginable,” its directors say. Sales: Film Factory Entertainment “A Bright Sun,” (Monica Cambra, Ariadna Fortuny)įacing the end of the world, Mila, 11, tries to stage a family together party. Sales: Filmax “Blondi,” (Dolores Fonzi)įrom La Unión de los Ríos, behind “Argentina, 1985.” the awaited directorial debut of Fonzi, star of Santiago Mitre’s Cannes winner “Paulina,” a double mother-son coming of age dramedy. “Ashes in the Sky,” (Miquel Romans)Ī WWII resistance drama, inspired by the true life of Spain’s Neus Català, head of an anti-Nazi unit at a Czech weapons factory. The multi-prized Coixet (“The Secret Life of Words”).ĭirects Goya winner Laia Costa (“Lullaby”) in a village-set study of an isolated woman’s succumbing to devouring passion.
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